SIDE B
1. UNTITLED 2
Sole release from the NYC-based power electronics outfit - commercial only in the sense that it was available throughout the New York City area in the early 1980's, often via hand-dubbed cassettes. UNTITLED features the group's signature howling saxophones and "direct injection overload" via band member Galactus' semi-functionalOberheim SEM. A poorly xeroxed still photo of the mirrored face of death from Maya Deren's seminal short film "Meshes of the Afternoon" served as the cassette's cover.