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(Created page with "<div class="album"> File:Parco1.png <div class="album-title"> <div> ==''PARCO Collexion I''== <div style="margin:0">'''(featuring ßynthündßäx)'''</div> </div> <div> (12" VINYL SINGLE) </div> </div> ---- '''SIDE A''' <div class="track"> <div class="track-info"> ===1. ''PARCO Collexion I''=== File:PARCOREMASTER.I_compressed.wav<div class="mw-collapsible mw-collapsed" style="width:100%; overflow:auto;"> <div style="">Designs<...")
 
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With the largely monochromatic ''Collexion I'', [REDACTED] explored transparent veils and introduced her signature cumbersome headpieces, here in the form of conical pyramids. [[PARCO|PARCO]] experimented with different runway options for the [[PARCO Collexion|PARCO Collexion]] launch, starting first with conventional raised platforms, including painted black wood with gridded  white tape, gradually moving on, at [[PARCO Collexion|Kurigami]]'s insistence, to more experimental approaches. First, the photographer, after having seen the film [[Alien|''Alien'']], had gooey beige hot plastic poured onto the platform - a surface which proved to be extremely slick when dried.<ref>Compounded by the employment of overactive fog machines.</ref>. Most bizarrely, however, Kuragami created an alternate venue with a pitted runway filled with black glass spheres - visually stunning and beyond perilous to navigate in shiny white shoes.
With the largely monochromatic ''Collexion I'', [REDACTED] explored transparent veils and introduced her signature cumbersome headpieces, here in the form of conical pyramids. [[PARCO|PARCO]] experimented with different runway options for the [[PARCO-collexion|PARCO Collexion]] launch, starting first with conventional raised platforms, including painted black wood with gridded  white tape, gradually moving on, at [[PARCO-collexion|Kurigami]]'s insistence, to more experimental approaches. First, the photographer, after having seen the film [[Alien|''Alien'']], had gooey beige hot plastic poured onto the platform - a surface which proved to be extremely slick when dried.<ref>Compounded by the employment of overactive fog machines.</ref>. Most bizarrely, however, Kuragami created an alternate venue with a pitted runway filled with black glass spheres - visually stunning and beyond perilous to navigate in shiny white shoes.


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'''⧉ref#''' [ßynthündßäx :: [https://synthundsax.bandcamp.com/album/parco-collexion-i''PARCO Collexion I'']]
'''⧉ref#''' [ßynthündßäx :: [https://synthundsax.bandcamp.com/album/parco-collexion-i''Collexion I'']]


[[Disclaimer|''Disclaimer'']]
[[Disclaimer|''Disclaimer'']]

Latest revision as of 16:39, 6 August 2025

PARCO Collexion I

(featuring ßynthündßäx)

(12" VINYL SINGLE)


SIDE A

1. PARCO Collexion I

Designs


With the largely monochromatic Collexion I, [REDACTED] explored transparent veils and introduced her signature cumbersome headpieces, here in the form of conical pyramids. PARCO experimented with different runway options for the PARCO Collexion launch, starting first with conventional raised platforms, including painted black wood with gridded white tape, gradually moving on, at Kurigami's insistence, to more experimental approaches. First, the photographer, after having seen the film Alien, had gooey beige hot plastic poured onto the platform - a surface which proved to be extremely slick when dried.[1]. Most bizarrely, however, Kuragami created an alternate venue with a pitted runway filled with black glass spheres - visually stunning and beyond perilous to navigate in shiny white shoes.


⧉ref# [ßynthündßäx :: Collexion I]

Disclaimer

  1. ↑ Compounded by the employment of overactive fog machines.