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[[File:11B-X-1371-img.jpg |alt=A black and white image of a figure in a dark robe with a long leathery bill pointing down from the face and glass-lensed goggles concealing its features. Its right hand is held up, palm facing the camera, with a light in the middle of the palm. Behind it are decrepit brick walls with large window openings, through which a forest is visible.]] | [[File:11B-X-1371-img.jpg|alt=A black and white image of a figure in a dark robe with a long leathery bill pointing down from the face and glass-lensed goggles concealing its features. Its right hand is held up, palm facing the camera, with a light in the middle of the palm. Behind it are decrepit brick walls with large window openings, through which a forest is visible.]] | ||
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Revision as of 02:08, 22 March 2024
11B-X-1371
A video cypher of unidentified origin received and published by the
website GadgetZZ.com in 2015. The film centers on a figure dressed as a
plague doctor holding an irregularly blinking light against the backdrop
of pulsating buzzing resembling that of a
cicada
swarm.
Cryptographic messages including threats of bioterrorism, the phrase "red
lips like tenth" (aka KILL THE PRESIDENT), and the geographical
coordinates of the White House have been found hidden in the video.
Further, the film's spectrogram itself generates an image displaying the
phrase "you are already dead" amongst a strange reddish texture resembling
wet earth or fresh blood followed by yellowish mutilated and tortured
bodies. Despite subsequent numerous and questionable claims of authorship,
the generation and intent of the video has never been confirmed, though
many speculate a connection to the activities of both
The Illuminati
and/or
Cicada 3301
. Alternate theories include a misguided and
unauthorized attempt to promote the debut of
12 Monkeys
, a SyFy
series based on the short film
La Jetee
by the mysterious french
filmmaker
Chris Marker .
1 "The white circle in the figure's right hand flashing intermittently, writing the words inside the wet white of my skull. I know not what I want to believe, just that I want to believe in something. Something that is real that doesn't immediately appear so. Some evidence of temporal or spatial transgression, even if it spells my very doom."

