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Proto-digital mall developed by | Proto-digital mall developed by | ||
[[knight-ridder]] | [[knight-ridder|Knight Ridder]] | ||
Knight Ridder and designed exclusively for use on the second generation of | Knight Ridder and designed exclusively for use on the second generation of | ||
[[error]] | [[error|AT&T]]'s Sceptre console. Sceptre Complex, as it was initially known, followed on the heels of the | ||
's Sceptre console. Sceptre Complex, as it was initially known, followed on the heels of the | [[viewtron|Viewtron]] | ||
[[viewtron]] | |||
system, layering skeletons of the previous | system, layering skeletons of the previous | ||
[[videotex]] | [[videotex]] | ||
| Line 21: | Line 20: | ||
<sup> | <sup> | ||
1 | 1 | ||
</sup> | </sup>, was inspired by the original iteration of [[error|DOOM]], a hyper-violent gaming platform released by | ||
, was inspired by the original iteration of | [[error|id]] | ||
[[error]] | |||
, a hyper-violent gaming platform released by | |||
[[error]] | |||
in 1993. The mall was navigable by user-generated conversable avatars - a functionality whose development reportedly swallowed over 80% of the project's overall budget. As with Viewtron, the project was by any metric a failure, in part due to the commercial ineptitude of many of the mall's corporate tenets, a floundering cadre of enterprises including, but not limited to, | in 1993. The mall was navigable by user-generated conversable avatars - a functionality whose development reportedly swallowed over 80% of the project's overall budget. As with Viewtron, the project was by any metric a failure, in part due to the commercial ineptitude of many of the mall's corporate tenets, a floundering cadre of enterprises including, but not limited to, | ||
[[radioshack]] | [[radioshack|Radioshack]], | ||
, | |||
<s> | <s> | ||
Bed, Bath, and | Bed, Bath, and | ||
</s> | Beyond</s>, and | ||
[[error|Abercrombie & Fitch]]. Additionally, the mall featured what it referred to as "Ad Zones" - lightly interactive and often buggy graphic banners geared towards blatant promotion. Ad Zones were presented on a revolving basis and focused mainly on debut or limited time products, including McDonald's Shrimp McBites™, | |||
[[error]] | [[error|Diet 'Zona Honey Ginseng]] | ||
. Additionally, the mall featured what it referred to as "Ad Zones" - lightly interactive and often buggy graphic banners geared towards blatant promotion. Ad Zones were presented on a revolving basis and focused mainly on debut or limited time products, including McDonald's Shrimp McBites™, | |||
[[error]] | |||
tea, Abercrombie's overpriced luxury perfume Cerulean Mist, and the IROC Z sports car | tea, Abercrombie's overpriced luxury perfume Cerulean Mist, and the IROC Z sports car | ||
<sup> | <sup> | ||
2 | 2 | ||
</sup> | </sup>. By the time of Knight Ridder's dissolution in the late 1990's, the Spectre Complex had for all intents and purposes been abdicated. However, the platform's functionality | ||
. By the time of Knight Ridder's dissolution in the late 1990's, the Spectre Complex had for all intents and purposes been abdicated. However, the platform's functionality | |||
<sup> | <sup> | ||
3 | 3 | ||
</sup> | </sup> | ||
proved attractive to hackers, as did Videotex's veritable sieve of a security system. The mall was subsequently squatted, experiencing a " | proved attractive to hackers, as did Videotex's veritable sieve of a security system. The mall was subsequently squatted, experiencing a "[[error|pink twilight]]" of unofficial and unsanctioned use. This transition was signified by the neologistic respelling of the mall's forename as "Spectre" by its new inhabitants. | ||
[[error]] | |||
" of unofficial and unsanctioned use. This transition was signified by the neologistic respelling of the mall's forename as "Spectre" by its new inhabitants. | |||
</p> | </p> | ||
<div class="footnote"> | <div class="footnote"> | ||
| Line 77: | Line 67: | ||
</p> | </p> | ||
</div> | </div> | ||
Revision as of 04:28, 12 March 2024
Spectre Complex AKA Sceptre Complex
<a href="https://truth-vivid-asiago.glitch.me/?room=Outside">
Ω
</a>
Proto-digital mall developed by
Knight Ridder
Knight Ridder and designed exclusively for use on the second generation of
AT&T's Sceptre console. Sceptre Complex, as it was initially known, followed on the heels of the
Viewtron
system, layering skeletons of the previous
videotex
coding structure with updated (and often malformed) graphic skins to create the illusion of three dimensional space. This process, known as ray casting or billboarding
1
, was inspired by the original iteration of DOOM, a hyper-violent gaming platform released by
id
in 1993. The mall was navigable by user-generated conversable avatars - a functionality whose development reportedly swallowed over 80% of the project's overall budget. As with Viewtron, the project was by any metric a failure, in part due to the commercial ineptitude of many of the mall's corporate tenets, a floundering cadre of enterprises including, but not limited to,
Radioshack,
Bed, Bath, and
Beyond, and
Abercrombie & Fitch. Additionally, the mall featured what it referred to as "Ad Zones" - lightly interactive and often buggy graphic banners geared towards blatant promotion. Ad Zones were presented on a revolving basis and focused mainly on debut or limited time products, including McDonald's Shrimp McBites™,
Diet 'Zona Honey Ginseng
tea, Abercrombie's overpriced luxury perfume Cerulean Mist, and the IROC Z sports car
2
. By the time of Knight Ridder's dissolution in the late 1990's, the Spectre Complex had for all intents and purposes been abdicated. However, the platform's functionality
3
proved attractive to hackers, as did Videotex's veritable sieve of a security system. The mall was subsequently squatted, experiencing a "pink twilight" of unofficial and unsanctioned use. This transition was signified by the neologistic respelling of the mall's forename as "Spectre" by its new inhabitants.
1
Relating to but not synonymous with the
parallax
phenomenon.
2
The poorly rendered "mall car" Ad Zone was later infiltrated by hackers who programmed legions of pubescent NPC sprites to incessantly frot the vehicle's tail pipe
<a href="../i-antichrist/flamingoes-in-the-mall-fountain.html#tailpipe">
Ω
</a>
.
3
Especially the rudimentary direct user interactivity.
