The-woman-in-the-dunes - Revision history

Nemo: /* The Woman in the Dunes AKA The Woman of the Dunes [砂の女]Ω */

2025-06-20T01:21:10Z

The Woman in the Dunes AKA The Woman of the Dunes [砂の女]Ω

← Older revision		Revision as of 01:21, 20 June 2025
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	<div class="gallery-image">[[File:~~dunes~~-1.png\|200px]]</div>		<div class="gallery-image">[[File:Dunes-1.png\|200px]]</div>
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Nemo: /* The Woman in the Dunes AKA The Woman of the Dunes[砂の女]Ω */

2025-06-20T01:19:58Z

The Woman in the Dunes AKA The Woman of the Dunes[砂の女]Ω

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-==''The Woman in the Dunes'' AKA ''The Woman of the Dunes''[砂の女]<sup>[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Ω]</sup>==
+==''The Woman in the Dunes'' AKA ''The Woman of the Dunes'' [砂の女]<sup>[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Ω]</sup>==
 [related: Kōbō Abe]
 ----
-An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's  Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.
+An existentialist novel by Japanese author Kōbō Abe set in the [[Tottori Sand Dunes|Tottori Sand Dunes]]. Originally published in 1962, the novel centers on an entomologist trapped with a lonely woman  in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's, elements preserved and often heightened in the subsequent award-winning 1964 film adaptation - in part by its ruthlessly experimental soundtrack.<ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>. Much more celebrated were the film's stunningly artful and darkly erotic cinema posters.
 <small><kbd>Ωref#<nowiki>[</nowiki>[[I-Antichrist|I, Antichrist]]<nowiki>]</nowiki> :: ''[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Neon Genesis Evangelion (Post-Vasectomy)].''</kbd></small>

Nemo: /* The Woman in the Dunes AKA 砂の女Ω */

2025-06-20T01:01:55Z

The Woman in the Dunes AKA 砂の女Ω

← Older revision		Revision as of 01:01, 20 June 2025
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	==The Woman in the Dunes AKA 砂の女<sup>[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Ω]</sup>==		==''The Woman in the Dunes'' AKA ''The Woman of the Dunes''[砂の女]<sup>[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Ω]</sup>==
			[related: Kōbō Abe]
	----		----
	An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.		An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.

Lmsuarez: /* The Woman in the Dunes AKA 砂の女Ω */

2025-02-27T02:58:29Z

The Woman in the Dunes AKA 砂の女Ω

← Older revision		Revision as of 02:58, 27 February 2025
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	[[File:dunes.jpg\|500px\|center\|]]		[[File:dunes.jpg\|500px\|center\|]]

	: <small><kbd>Ωref#[~~redacted~~] :: ''[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Neon Genesis Evangelion (Post-Vasectomy)].''</kbd></small>		<small><kbd>Ωref#<nowiki>[</nowiki>[[I-Antichrist\|I, Antichrist]]<nowiki>]</nowiki> :: ''[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Neon Genesis Evangelion (Post-Vasectomy)].''</kbd></small>

Aidahosa: /* The Woman in the Dunes AKA 砂の女Ω */

2025-02-27T00:27:08Z

The Woman in the Dunes AKA 砂の女Ω

← Older revision		Revision as of 00:27, 27 February 2025
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	[[File:dunes.jpg\|500px\|center\|]]		[[File:dunes.jpg\|500px\|center\|]]

	: <small><kbd>~~href~~#[redacted] :: ''[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Neon Genesis Evangelion (Post-Vasectomy)].''</kbd></small>		: <small><kbd>Ωref#[redacted] :: ''[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Neon Genesis Evangelion (Post-Vasectomy)].''</kbd></small>

Lmsuarez at 13:51, 15 December 2024

2024-12-15T13:51:57Z

← Older revision		Revision as of 13:51, 15 December 2024
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	~~'''~~The Woman in the Dunes AKA 砂の女~~'''~~<sup>[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Ω]</sup>		==The Woman in the Dunes AKA 砂の女<sup>[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Ω]</sup>==
			----
	An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.		An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.

Lmsuarez at 16:29, 5 December 2024

2024-12-05T16:29:42Z

← Older revision		Revision as of 16:29, 5 December 2024
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	[[File:dunes.jpg\|500px\|center\|]]		[[File:dunes.jpg\|500px\|center\|]]

			: <small><kbd>href#[redacted] :: ''[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Neon Genesis Evangelion (Post-Vasectomy)].''</kbd></small>

Lmsuarez at 22:12, 3 November 2024

2024-11-03T22:12:37Z

← Older revision		Revision as of 22:12, 3 November 2024
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	An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.		An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.

			[[File:dunes.jpg\|500px\|center\|]]

Jackof63trades at 23:29, 14 June 2024

2024-06-14T23:29:04Z

← Older revision		Revision as of 23:29, 14 June 2024
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	'''The Woman in the Dunes AKA 砂の女'''<sup>[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Ω]</sup		'''The Woman in the Dunes AKA 砂の女'''<sup>[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Ω]</sup>

	An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.		An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.

Jackof63trades at 23:28, 14 June 2024

2024-06-14T23:28:58Z

← Older revision		Revision as of 23:28, 14 June 2024
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	'''The Woman in the Dunes AKA 砂の女'''		'''The Woman in the Dunes AKA 砂の女'''<sup>[https://eternal-september.net/i-antichrist/neon-genesis-evangelion.html Ω]</sup

	An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.		An existentialist novel by Japanese author Kōbō Abe originally published in 1962. The novel centers on an entomologist trapped with a lonely woman in a sand pit by a group of villagers. Over time, the novel's protagonist begins to see his imprisonment as freedom, developing deep feelings for the woman and forgoing escape when given the opportunity. ''The Woman in the Dunes'' opens with the aphorism: "Without the threat of punishment, there is no joy in the fight". Abe's equating of entrapment and eroticism throughout the novel proved controversial in 1960's Japan, as was the film's ruthlessly experimental soundtrack <ref> One of the first Japanese films scored using electronic elements. Robert Ebert claimed: it sounds as if ''"[//eternal-september.net/i-antichrist/metal-swans-in-rain.html the wings of metal swans are rusting the rain.]"'' </ref>.