No-wave - Revision history

Clintxxx: /* No Wave */

2025-07-31T21:10:53Z

No Wave

← Older revision		Revision as of 21:10, 31 July 2025
Line 1:		Line 1:
	==No Wave==		==No Wave==
	----		----
	Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], [[White-columns\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [~~//eternal-september.net/digital~~-riptide~~/index.html~~ Digital Riptide], [[tetra-denim\|Tetra Denim]], and [[Black-screen-o'-death\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.		Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], [[White-columns\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [[Digital-riptide\|Digital Riptide]], [[tetra-denim\|Tetra Denim]], and [[Black-screen-o'-death\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.

	The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial		The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial
	[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.		[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.

Nemo: /* No Wave */

2025-07-22T00:07:13Z

No Wave

← Older revision		Revision as of 00:07, 22 July 2025
Line 1:		Line 1:
	==No Wave==		==No Wave==
	----		----
	Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], White Columns, and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], and [[Black-screen-o'-death\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.		Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], [[White-columns\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], and [[Black-screen-o'-death\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.

	The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial		The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial
	[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.		[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.

Clintxxx: /* No Wave */

2025-07-19T20:45:34Z

No Wave

← Older revision		Revision as of 20:45, 19 July 2025
Line 1:		Line 1:
	==No Wave==		==No Wave==
	----		----
	Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], White Columns, and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]]~~, Spaceships of Ezekiel~~, and		Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], White Columns, and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], and [[Black-screen-o'-death\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.
	[[~~error~~\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.

	The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial		The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial
	[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.		[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.

Clintxxx: /* No Wave */

2025-03-03T16:15:53Z

No Wave

← Older revision		Revision as of 16:15, 3 March 2025
Line 1:		Line 1:
	==No Wave==		==No Wave==
	----		----
	Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], ~~[[error\|~~White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], Spaceships of Ezekiel, and		Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], White Columns, and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], Spaceships of Ezekiel, and
	[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.		[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.

	The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial		The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial
	[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.		[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.

Lmsuarez at 13:13, 15 December 2024

2024-12-15T13:13:47Z

← Older revision		Revision as of 13:13, 15 December 2024
Line 1:		Line 1:
	~~'''~~No Wave~~'''~~		==No Wave==
			----
	Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], Spaceships of Ezekiel, and		Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], Spaceships of Ezekiel, and
	[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.		[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.

Lmsuarez at 15:00, 22 November 2024

2024-11-22T15:00:33Z

← Older revision		Revision as of 15:00, 22 November 2024
Line 1:		Line 1:
	'''No Wave'''		'''No Wave'''

	Musical genre that experienced its zenith from the mid-1980's to the ~~dawning moments~~ of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm & blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely on a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods ~~including~~		Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], Spaceships of Ezekiel, and
	[[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. ~~To wit, groups~~ like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], Spaceships of Ezekiel, and		[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.
	[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.

	The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial		The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial
	[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.		[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.

Jackof63trades at 20:19, 19 April 2024

2024-04-19T20:19:53Z

← Older revision		Revision as of 20:19, 19 April 2024
Line 2:		Line 2:

	Musical genre that experienced its zenith from the mid-1980's to the dawning moments of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm & blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely on a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods including		Musical genre that experienced its zenith from the mid-1980's to the dawning moments of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm & blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely on a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods including
	[[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. To wit, groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[~~error~~\|Tetra Denim]], Spaceships of Ezekiel, and		[[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. To wit, groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], Spaceships of Ezekiel, and
	[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.		[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.
	~~<!--TODO: link up tetra denim one day...-->~~

	The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial		The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial
	[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.		[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.

Jackof63trades at 19:39, 19 April 2024

2024-04-19T19:39:34Z

← Older revision		Revision as of 19:39, 19 April 2024
Line 1:		Line 1:
			'''No Wave'''

	~~<p>~~
	~~<strong>~~
	~~No Wave~~
	~~</strong>~~
	~~<br/>~~
	Musical genre that experienced its zenith from the mid-1980's to the dawning moments of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm & blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely on a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods including		Musical genre that experienced its zenith from the mid-1980's to the dawning moments of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm & blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely on a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods including
	[[error\|The Pyramid]],		[[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. To wit, groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[error\|Tetra Denim]], Spaceships of Ezekiel, and
	[[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of		[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.
	[[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. To wit, groups like
	[//eternal-september.net/digital-riptide/index.html Digital Riptide], [[error\|Tetra Denim]], Spaceships of Ezekiel, and
	[[error\|Black Screen o' Death]]
	all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.
	<!--TODO: link up tetra denim one day...-->		<!--TODO: link up tetra denim one day...-->
	~~</p>~~
	~~<p>~~		The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial
	The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed		[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.
	[[phantom-archives\|Phantom Archives]]
	(accessible through the controversial and, like-mindedly anti-commercial
	[[mindvox\|MindVox]]
	ISP) stands as the primary documentation system of No Wave and its extended community.
	~~</p>~~

Jackof63trades at 19:28, 22 March 2024

2024-03-22T19:28:35Z

← Older revision		Revision as of 19:28, 22 March 2024
Line 9:		Line 9:
	[[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of		[[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of
	[[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. To wit, groups like		[[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. To wit, groups like
	[//<eternal-september.net/digital-riptide/index.html Digital Riptide], [[error\|Tetra Denim]], Spaceships of Ezekiel, and		[//eternal-september.net/digital-riptide/index.html Digital Riptide], [[error\|Tetra Denim]], Spaceships of Ezekiel, and
	[[error\|Black Screen o' Death]]		[[error\|Black Screen o' Death]]
	all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.		all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.

Jackof63trades at 19:28, 22 March 2024

2024-03-22T19:28:25Z

← Older revision		Revision as of 19:28, 22 March 2024
Line 9:		Line 9:
	[[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of		[[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of
	[[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. To wit, groups like		[[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. To wit, groups like
	<~~a href=".~~./digital-riptide/index.html">		[//<eternal-september.net/digital-riptide/index.html Digital Riptide], [[error\|Tetra Denim]], Spaceships of Ezekiel, and
	Digital Riptide
	~~</a>~~,
	[[error\|Tetra Denim]], Spaceships of Ezekiel, and
	[[error\|Black Screen o' Death]]		[[error\|Black Screen o' Death]]
	all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.		all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.

← Older revision		Revision as of 15:00, 22 November 2024
Line 1:		Line 1:
	'''No Wave'''		'''No Wave'''

	Musical genre that experienced its zenith from the mid-1980's to the ~~dawning moments~~ of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm & blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely on a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods ~~including~~		Musical genre that experienced its zenith from the mid-1980's to the dawn of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm &amp blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely around a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods, such as [[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors, including the afore-mentioned spirit of anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. Groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], Spaceships of Ezekiel, and
	[[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. ~~To wit, groups~~ like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], Spaceships of Ezekiel, and		[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.
	[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.

	The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial		The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial
	[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.		[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.

← Older revision		Revision as of 20:19, 19 April 2024
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	Musical genre that experienced its zenith from the mid-1980's to the dawning moments of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm & blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely on a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods including		Musical genre that experienced its zenith from the mid-1980's to the dawning moments of the 1990's. No Wave music was characterized by a collective spirit of experimentation and anti-commercialism despite heavily referencing disco, jazz fusion, rhythm & blues, early hip-hop, and other popular music forms. Largely native to New York City, the No Wave scene centered largely on a group of smaller clubs and illegal performance spaces dotting New York City's Lower East Side (LES), Alphabet City, and Tribeca neighborhoods including
	[[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. To wit, groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[~~error~~\|Tetra Denim]], Spaceships of Ezekiel, and		[[error\|The Pyramid]], [[error\|White Columns]], and the Knitting Factory. The popularity of No Wave music was highly localized and failed to achieve any real modicum of commercial success due to a variety of factors: the afore-mentioned spirit anti-commercialism, rampant use of [[narcotics]], and the incestuous and tumultuous relationships between the core creative practitioners of the scene. To wit, groups like [//eternal-september.net/digital-riptide/index.html Digital Riptide], [[tetra-denim\|Tetra Denim]], Spaceships of Ezekiel, and
	[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.		[[error\|Black Screen o' Death]] all shared members and experienced early demises due to various forms of self-generated drama and dysfunction.
	~~<!--TODO: link up tetra denim one day...-->~~

	The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial		The No Wave community was unique in its direct overlap with other musical genres and creative mediums including the nascent fields of performance art (including relational aesthetics) and hacking/phreaking. In fact, in absence of commercial recording contracts, the hacker-developed [[phantom-archives\|Phantom Archives]] (accessible through the controversial and, like-mindedly anti-commercial
	[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.		[[mindvox\|MindVox]] ISP) stands as the primary documentation system of No Wave and its extended community.