Metroid - Revision history

Clintxxx: /* Metroid */

2026-01-15T17:25:47Z

Metroid

← Older revision		Revision as of 17:25, 15 January 2026
Line 5:		Line 5:
	series and manifestly central to the [[ehspf\|MetroidVania]] series of games. Directed by Satoru Okada and Masao Yamamoto (credited officially as simply		series and manifestly central to the [[ehspf\|MetroidVania]] series of games. Directed by Satoru Okada and Masao Yamamoto (credited officially as simply
	"Yamamoto"), with music by Hirokazu "Hip" Tanaka. The game was developed in a free associative environment and is remarkable for its open-world format and its ability to engender a sense of poignant loneliness and desperation in the		"Yamamoto"), with music by Hirokazu "Hip" Tanaka. The game was developed in a free associative environment and is remarkable for its open-world format and its ability to engender a sense of poignant loneliness and desperation in the
	player - a phenomenon supporting the "reality as simulation" hypothesis that has come to dominate modern cyber-metaphysics. In this model, pixels equate to <!-- links to self --> [[quantum-loop-gravity\|Planck length]] bits (sub-microscopic non-divisible units of timespace that form the fabric of what consciousness perceives as "space"). By extension, reality can in fact be thought of as a		player - a phenomenon supporting the [[Simulation-theory\|"reality as simulation"]] hypothesis that has come to dominate modern cyber-metaphysics. In this model, pixels equate to <!-- links to self --> [[quantum-loop-gravity\|Planck length]] bits (sub-microscopic non-divisible units of timespace that form the fabric of what consciousness perceives as "space"). By extension, reality can in fact be thought of as a
	two-dimensional information-based bit space that gives rise to complex illusory environs via <!-- links to self -->[[cybernetics\|cybernetic]] interaction		two-dimensional information-based bit space that gives rise to complex illusory environs via <!-- links to self -->[[cybernetics\|cybernetic]] interaction
	with our perceptual network, thus skirting the so-called "black hole information paradox" <ref> A theory centering on the notion that information could be permanently destroyed by a black hole in violation of modern physics doctrine including the now-outdated <!-- links to quantum stuff --> [[quantum\|Copenhagen Interpretation]] of quantum theory. An effective though controversial postulated solution dubbed the "holographic principle" resolves the paradox by claiming that information is in fact stored in a black hole's [[event-horizon\|event horizon]] in a liminal, two-dimensional, non-spatial zone. The theory has proven effective in resolving other paradoxes, giving rise to the "[[error\|holographic universe]]" model championed by Gerad 't Hooft, Leonard Susskind, and their ilk.		with our perceptual network, thus skirting the so-called "black hole information paradox" <ref> A theory centering on the notion that information could be permanently destroyed by a black hole in violation of modern physics doctrine including the now-outdated <!-- links to quantum stuff --> [[quantum\|Copenhagen Interpretation]] of quantum theory. An effective though controversial postulated solution dubbed the "holographic principle" resolves the paradox by claiming that information is in fact stored in a black hole's [[event-horizon\|event horizon]] in a liminal, two-dimensional, non-spatial zone. The theory has proven effective in resolving other paradoxes, giving rise to the "[[error\|holographic universe]]" model championed by Gerad 't Hooft, Leonard Susskind, and their ilk.

Clintxxx: /* Metroid */

2025-12-16T21:34:24Z

Metroid

← Older revision		Revision as of 21:34, 16 December 2025
Line 1:		Line 1:
	==''Metroid''==		==''Metroid''==
	[Nintendo, 1986] [related: Mother Brain, Samus Aran, Black Hole Information Paradox]		'''[Nintendo, 1986] [related: Mother Brain, Samus Aran, Black Hole Information Paradox]'''
	----		----
	Groundbreaking 1986 single player game-based reality simulator ([[vpd\|VPD]]) developed by the [[nes\|Nintendo Entertainment System]] for release on its original platform. Widely considered to figure heavily in the [[ehspf\|EHSPF]]		Groundbreaking 1986 single player game-based reality simulator ([[vpd\|VPD]]) developed by the [[nes\|Nintendo Entertainment System]] for release on its original platform. Widely considered to figure heavily in the [[ehspf\|EHSPF]]

Lmsuarez: /* Metroid */

2024-12-15T13:06:16Z

Metroid

← Older revision		Revision as of 13:06, 15 December 2024
Line 1:		Line 1:
	==''Metroid''==		==''Metroid''==
	[Nintendo, 1986][related: Mother Brain, Samus Aran, Black Hole Information Paradox]		[Nintendo, 1986] [related: Mother Brain, Samus Aran, Black Hole Information Paradox]
	----		----
	Groundbreaking 1986 single player game-based reality simulator ([[vpd\|VPD]]) developed by the [[nes\|Nintendo Entertainment System]] for release on its original platform. Widely considered to figure heavily in the [[ehspf\|EHSPF]]		Groundbreaking 1986 single player game-based reality simulator ([[vpd\|VPD]]) developed by the [[nes\|Nintendo Entertainment System]] for release on its original platform. Widely considered to figure heavily in the [[ehspf\|EHSPF]]

Lmsuarez at 13:06, 15 December 2024

2024-12-15T13:06:09Z

← Older revision		Revision as of 13:06, 15 December 2024
Line 1:		Line 1:
	~~'''~~''Metroid''[Nintendo, 1986][related: Mother Brain, Samus Aran, Black Hole Information Paradox]~~'''~~		==''Metroid''==
			[Nintendo, 1986][related: Mother Brain, Samus Aran, Black Hole Information Paradox]
			----
	Groundbreaking 1986 single player game-based reality simulator ([[vpd\|VPD]]) developed by the [[nes\|Nintendo Entertainment System]] for release on its original platform. Widely considered to figure heavily in the [[ehspf\|EHSPF]]		Groundbreaking 1986 single player game-based reality simulator ([[vpd\|VPD]]) developed by the [[nes\|Nintendo Entertainment System]] for release on its original platform. Widely considered to figure heavily in the [[ehspf\|EHSPF]]
	series and manifestly central to the [[ehspf\|MetroidVania]] series of games. Directed by Satoru Okada and Masao Yamamoto (credited officially as simply		series and manifestly central to the [[ehspf\|MetroidVania]] series of games. Directed by Satoru Okada and Masao Yamamoto (credited officially as simply

Jackof63trades at 22:35, 6 May 2024

2024-05-06T22:35:54Z

← Older revision		Revision as of 22:35, 6 May 2024
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	</ref>. Within this mode of thinking, the game's formidable end boss Mother Brain <ref> As opposed to Mind, as per [[dharma\|Buddhist]] philosophy. </ref> can be seen as a malevolent omniscient figurehead pervading the simulation - a digital virus-like villian whose function is solely to ensure that the protagonist (Samus Aran/the player) remains locked into an endless loop-quest despite signs of its <!-- links so self --> [[berhold-brecht\|Brechtian]] artifice in the form of glitches [i.e. door jumps, wall climbing, and, in later		</ref>. Within this mode of thinking, the game's formidable end boss Mother Brain <ref> As opposed to Mind, as per [[dharma\|Buddhist]] philosophy. </ref> can be seen as a malevolent omniscient figurehead pervading the simulation - a digital virus-like villian whose function is solely to ensure that the protagonist (Samus Aran/the player) remains locked into an endless loop-quest despite signs of its <!-- links so self --> [[berhold-brecht\|Brechtian]] artifice in the form of glitches [i.e. door jumps, wall climbing, and, in later
	''Metroid'' platforms, phazon overload and shadow freezing]. Upon defeat of		''Metroid'' platforms, phazon overload and shadow freezing]. Upon defeat of
	The Mother Brain, its protagonist is revealed to be female, despite the use of male pronouns in the game's silver handbook, with a reverse correlation between the success and speed of the player's successful campaign and the avatar's amount of clothing. A perfect campaign results in Samus being forced to re-complete her mission, defeating bosses Ridley, Kraig, and The Mother Brain clad in hot pink underwear <ref> A [[technostalgia\|technostalgic]]-related phenomenon - in a 1988 poll, coitus with Samus Aran was among the most frequent "climax point" fantasies for both girls and boys in the 13-17-year-old age group. </ref>. Samus Aran is suspended in a <!--PM: links to lost in norfair--> [[~~gray~~-waves\|timeless oblivion]], a space in which consequential movement or action is rendered impossible. And yet...		The Mother Brain, its protagonist is revealed to be female, despite the use of male pronouns in the game's silver handbook, with a reverse correlation between the success and speed of the player's successful campaign and the avatar's amount of clothing. A perfect campaign results in Samus being forced to re-complete her mission, defeating bosses Ridley, Kraig, and The Mother Brain clad in hot pink underwear <ref> A [[technostalgia\|technostalgic]]-related phenomenon - in a 1988 poll, coitus with Samus Aran was among the most frequent "climax point" fantasies for both girls and boys in the 13-17-year-old age group. </ref>. Samus Aran is suspended in a <!--PM: links to lost in norfair--> [[grey-waves\|timeless oblivion]], a space in which consequential movement or action is rendered impossible. And yet...
	''the cycle		''the cycle
	continues''.		continues''.

	''"And when I finally won the game in the basement of my third grade teacher's house and found that Samus was, in fact, a woman, I was alone - and would stay alone from that day forward".''		''"And when I finally won the game in the basement of my third grade teacher's house and found that Samus was, in fact, a woman, I was alone - and would stay alone from that day forward".''

Jackof63trades at 22:35, 6 May 2024

2024-05-06T22:35:43Z

← Older revision		Revision as of 22:35, 6 May 2024
Line 9:		Line 9:
	</ref>. Within this mode of thinking, the game's formidable end boss Mother Brain <ref> As opposed to Mind, as per [[dharma\|Buddhist]] philosophy. </ref> can be seen as a malevolent omniscient figurehead pervading the simulation - a digital virus-like villian whose function is solely to ensure that the protagonist (Samus Aran/the player) remains locked into an endless loop-quest despite signs of its <!-- links so self --> [[berhold-brecht\|Brechtian]] artifice in the form of glitches [i.e. door jumps, wall climbing, and, in later		</ref>. Within this mode of thinking, the game's formidable end boss Mother Brain <ref> As opposed to Mind, as per [[dharma\|Buddhist]] philosophy. </ref> can be seen as a malevolent omniscient figurehead pervading the simulation - a digital virus-like villian whose function is solely to ensure that the protagonist (Samus Aran/the player) remains locked into an endless loop-quest despite signs of its <!-- links so self --> [[berhold-brecht\|Brechtian]] artifice in the form of glitches [i.e. door jumps, wall climbing, and, in later
	''Metroid'' platforms, phazon overload and shadow freezing]. Upon defeat of		''Metroid'' platforms, phazon overload and shadow freezing]. Upon defeat of
	The Mother Brain, its protagonist is revealed to be female, despite the use of male pronouns in the game's silver handbook, with a reverse correlation between the success and speed of the player's successful campaign and the avatar's amount of clothing. A perfect campaign results in Samus being forced to re-complete her mission, defeating bosses Ridley, Kraig, and The Mother Brain clad in hot pink underwear <ref> A [[technostalgia\|technostalgic]]-related phenomenon - in a 1988 poll, coitus with Samus Aran was among the most frequent "climax point" fantasies for both girls and boys in the 13-17-year-old age group. </ref>. Samus Aran is suspended in a <!--PM: links to lost in norfair--> [[waves~~-of-nothingness~~\|timeless oblivion]], a space in which consequential movement or action is rendered impossible. And yet...		The Mother Brain, its protagonist is revealed to be female, despite the use of male pronouns in the game's silver handbook, with a reverse correlation between the success and speed of the player's successful campaign and the avatar's amount of clothing. A perfect campaign results in Samus being forced to re-complete her mission, defeating bosses Ridley, Kraig, and The Mother Brain clad in hot pink underwear <ref> A [[technostalgia\|technostalgic]]-related phenomenon - in a 1988 poll, coitus with Samus Aran was among the most frequent "climax point" fantasies for both girls and boys in the 13-17-year-old age group. </ref>. Samus Aran is suspended in a <!--PM: links to lost in norfair--> [[gray-waves\|timeless oblivion]], a space in which consequential movement or action is rendered impossible. And yet...
	''the cycle		''the cycle
	continues''.		continues''.

	''"And when I finally won the game in the basement of my third grade teacher's house and found that Samus was, in fact, a woman, I was alone - and would stay alone from that day forward".''		''"And when I finally won the game in the basement of my third grade teacher's house and found that Samus was, in fact, a woman, I was alone - and would stay alone from that day forward".''

Jackof63trades at 03:13, 23 April 2024

2024-04-23T03:13:03Z

@@ Line 1: / Line 1: @@
-<p>
+Groundbreaking 1986 single player game-based reality simulator ([[vpd|VPD]]) developed by the [[nes|Nintendo Entertainment System]] for release on its original platform. Widely considered to figure heavily in the [[ehspf|EHSPF]]
-<strong>
+series and manifestly central to the [[ehspf|MetroidVania]] series of games. Directed by Satoru Okada and Masao Yamamoto (credited officially as simply
-<em>
+"Yamamoto"), with music by Hirokazu "Hip" Tanaka. The game was developed in a free associative environment and is remarkable for its open-world format and its ability to engender a sense of poignant loneliness and desperation in the
-Metroid
+player - a phenomenon supporting the "reality as simulation" hypothesis that has come to dominate modern cyber-metaphysics. In this model, pixels equate to <!-- links to self --> [[quantum-loop-gravity|Planck length]] bits (sub-microscopic non-divisible units of timespace that form the fabric of what consciousness perceives as "space"). By extension, reality can in fact be thought of as a
-</em>
+two-dimensional information-based bit space that gives rise to complex illusory environs via <!-- links to self -->[[cybernetics|cybernetic]] interaction
-[Nintendo, 1986][related: Mother Brain, Samus Aran, Black Hole Information Paradox]
+with our perceptual network, thus skirting the so-called "black hole information paradox" <ref> A theory centering on the notion that information could be permanently destroyed by a black hole in violation of modern physics doctrine including the now-outdated <!-- links to quantum stuff --> [[quantum|Copenhagen Interpretation]] of quantum theory. An effective though controversial postulated solution dubbed the "holographic principle" resolves the paradox by claiming that information is in fact stored in a black hole's [[event-horizon|event horizon]] in a liminal, two-dimensional, non-spatial zone. The theory has proven effective in resolving other paradoxes, giving rise to the "[[error|holographic universe]]" model championed by Gerad 't Hooft, Leonard Susskind, and their ilk.
-</strong>
+</ref>. Within this mode of thinking, the game's formidable end boss Mother Brain <ref> As opposed to Mind, as per [[dharma|Buddhist]] philosophy. </ref> can be seen as a malevolent omniscient figurehead pervading the simulation - a digital virus-like villian whose function is solely to ensure that the protagonist (Samus Aran/the player) remains locked into an endless loop-quest despite signs of its <!-- links so self --> [[berhold-brecht|Brechtian]] artifice in the form of glitches [i.e. door jumps, wall climbing, and, in later
-<br/>
+''Metroid'' platforms, phazon overload and shadow freezing]. Upon defeat of
-Groundbreaking 1986 single player game-based reality simulator (
+The Mother Brain, its protagonist is revealed to be female, despite the use of male pronouns in the game's silver handbook, with a reverse correlation between the success and speed of the player's successful campaign and the avatar's amount of clothing. A perfect campaign results in Samus being forced to re-complete her mission, defeating bosses Ridley, Kraig, and The Mother Brain clad in hot pink underwear <ref> A [[technostalgia|technostalgic]]-related phenomenon - in a 1988 poll, coitus with Samus Aran was among the most frequent "climax point" fantasies for both girls and boys in the 13-17-year-old age group. </ref>. Samus Aran is suspended in a <!--PM: links to lost in norfair--> [[waves-of-nothingness|timeless oblivion]], a space in which consequential movement or action is rendered impossible. And yet...
-[[vpd|VPD]]
+''the cycle
-) developed by the
+continues''.
 [[nes|Nintendo Entertainment System]]
-for release on its original platform. Widely considered to figure heavily in the
+''"And when I finally won the game in the basement of my third grade teacher's house and found that Samus was, in fact, a woman, I was alone - and would stay alone from that day forward".''

Jackof63trades at 02:48, 12 March 2024

2024-03-12T02:48:33Z

← Older revision		Revision as of 02:48, 12 March 2024
Line 9:		Line 9:
	<br/>		<br/>
	Groundbreaking 1986 single player game-based reality simulator (		Groundbreaking 1986 single player game-based reality simulator (
	[[vpd]]		[[vpd\|VPD]]
	) developed by the		) developed by the
	[[nes]]		[[nes\|Nintendo Entertainment System]]
	for release on its original platform. Widely considered to figure heavily in the		for release on its original platform. Widely considered to figure heavily in the
	[[ehspf]]		[[ehspf\|EHSPF]]
	series and manifestly central		series and manifestly central
	to the		to the
	[[ehspf]]		[[ehspf\|MetroidVania]]
	series of games. Directed by Satoru Okada and Masao Yamamoto		series of games. Directed by Satoru Okada and Masao Yamamoto
	(credited officially as simply		(credited officially as simply
Line 24:		Line 24:
	cyber-metaphysics. In this model, pixels equate to		cyber-metaphysics. In this model, pixels equate to
	<!-- links to self -->		<!-- links to self -->
	[[quantum-loop-gravity]]		[[quantum-loop-gravity\|Planck length]]
	bits (sub-microscopic non-divisible units of timespace		bits (sub-microscopic non-divisible units of timespace
	that form the fabric of what consciousness perceives as "space"). By extension, reality can in fact be thought of as a		that form the fabric of what consciousness perceives as "space"). By extension, reality can in fact be thought of as a
	two-dimensional information-based bit space that gives rise to complex illusory environs via		two-dimensional information-based bit space that gives rise to complex illusory environs via
	<!-- links to self -->		<!-- links to self -->
	[[cybernetics]]		[[cybernetics\|cybernetic]]
	interaction		interaction
	with our perceptual network, thus skirting the so-called "black hole information paradox"		with our perceptual network, thus skirting the so-called "black hole information paradox"
Line 46:		Line 46:
	player) remains locked into an endless loop-quest despite signs of its		player) remains locked into an endless loop-quest despite signs of its
	<!-- links so self -->		<!-- links so self -->
	[[berhold-brecht]]		[[berhold-brecht\|Brechtian]]
	artifice in the form of glitches		artifice in the form of glitches
	[i.e. door jumps, wall climbing, and, in later		[i.e. door jumps, wall climbing, and, in later
Line 60:		Line 60:
	<sup>		<sup>
	3		3
	</sup>		</sup>. Samus Aran is suspended in a
	. Samus Aran is suspended in a
	<!--PM: links to lost in norfair-->		<!--PM: links to lost in norfair-->
	[[waves-of-nothingness]]		[[waves-of-nothingness\|timeless oblivion]], a space in which consequential movement or action is rendered
	, a space in which consequential movement or action is rendered
	impossible. And yet...		impossible. And yet...
	<em>		<em>
	the cycle		the cycle
	continues		continues</em>.
	</em>
	.
	</p>		</p>
	<p>		<p>
Line 86:		Line 82:
	violation of modern physics doctrine including the now-outdated		violation of modern physics doctrine including the now-outdated
	<!-- links to quantum stuff -->		<!-- links to quantum stuff -->
	[[quantum]]		[[quantum\|Copenhagen Interpretation]]
	of quantum theory. An		of quantum theory. An
	effective though controversial postulated solution dubbed the "holographic principle" resolves the paradox by		effective though controversial postulated solution dubbed the "holographic principle" resolves the paradox by
	claiming that information is in fact stored in a black hole's		claiming that information is in fact stored in a black hole's
	[[event-horizon]]		[[event-horizon\|event horizon]]
	in a liminal, two-dimensional,		in a liminal, two-dimensional,
	non-spatial zone. The theory has proven effective in resolving other paradoxes, giving rise to the "		non-spatial zone. The theory has proven effective in resolving other paradoxes, giving rise to the "[[error\|holographic universe]]" model championed by Gerad 't Hooft, Leonard Susskind, and their ilk.
	~~<!-- links to self -->~~
	[[error]]
	" model championed by Gerad 't Hooft, Leonard Susskind, and their ilk.
	</p>		</p>
	<p>		<p>
Line 102:		Line 95:
	</sup>		</sup>
	As opposed to Mind, as per		As opposed to Mind, as per
	[[dharma]]		[[dharma\|Buddhist]]
	philosophy.		philosophy.
	</p>		</p>
Line 110:		Line 103:
	</sup>		</sup>
	A		A
	[[technostalgia]]		[[technostalgia\|technostalgic]]-related phenomenon - in a 1988 poll, coitus with Samus Aran was among the most
	-related phenomenon - in a 1988 poll, coitus with Samus Aran was among the most
	frequent "climax point" fantasies for both girls and boys in the 13-17-year-old age group.		frequent "climax point" fantasies for both girls and boys in the 13-17-year-old age group.
	</p>		</p>
	</div>		</div>

Jackof63trades: 1 revision imported

2024-03-08T21:44:13Z

1 revision imported

← Older revision	Revision as of 21:44, 8 March 2024
(No difference)

en>Unknown user at 21:44, 8 March 2024

2024-03-08T21:44:13Z

← Older revision	Revision as of 21:44, 8 March 2024
Line 1:	Line 1:

		<p>
		<strong>
		<em>
		Metroid
		</em>
		[Nintendo, 1986][related: Mother Brain, Samus Aran, Black Hole Information Paradox]
		</strong>
		<br/>
		Groundbreaking 1986 single player game-based reality simulator (
		[[vpd]]
		) developed by the
		[[nes]]
		for release on its original platform. Widely considered to figure heavily in the
		[[ehspf]]
		series and manifestly central
		to the
		[[ehspf]]
		series of games. Directed by Satoru Okada and Masao Yamamoto
		(credited officially as simply
		"Yamamoto"), with music by Hirokazu "Hip" Tanaka. The game was developed in a free associative environment and is
		remarkable for its open-world format and its ability to engender a sense of poignant loneliness and desperation in the
		player - a phenomenon supporting the "reality as simulation" hypothesis that has come to dominate modern
		cyber-metaphysics. In this model, pixels equate to
		<!-- links to self -->
		[[quantum-loop-gravity]]
		bits (sub-microscopic non-divisible units of timespace
		that form the fabric of what consciousness perceives as "space"). By extension, reality can in fact be thought of as a
		two-dimensional information-based bit space that gives rise to complex illusory environs via
		<!-- links to self -->
		[[cybernetics]]
		interaction
		with our perceptual network, thus skirting the so-called "black hole information paradox"
		<sup>
		1
		</sup>
		. Within this
		mode of
		thinking, the game's formidable end boss Mother Brain
		<sup>
		2
		</sup>
		can be seen as a malevolent omniscient figurehead
		pervading the
		simulation - a digital virus-like villian whose function is solely to ensure that the protagonist (Samus Aran/the
		player) remains locked into an endless loop-quest despite signs of its
		<!-- links so self -->
		[[berhold-brecht]]
		artifice in the form of glitches
		[i.e. door jumps, wall climbing, and, in later
		<em>
		Metroid
		</em>
		platforms, phazon overload and shadow freezing]. Upon
		defeat of
		The Mother Brain, its protagonist is revealed to be female, despite the use of male pronouns in the game's silver
		handbook, with a reverse correlation between the success and speed of the player's successful campaign and the
		avatar's amount of clothing. A perfect campaign results in Samus being forced to re-complete her mission, defeating
		bosses Ridley, Kraig, and The Mother Brain clad in hot pink underwear
		<sup>
		3
		</sup>
		. Samus Aran is suspended in a
		<!--PM: links to lost in norfair-->
		[[waves-of-nothingness]]
		, a space in which consequential movement or action is rendered
		impossible. And yet...
		<em>
		the cycle
		continues
		</em>
		.
		</p>
		<p>
		<em>
		"And when I finally won the game in the basement of my third grade teacher's house and found that Samus was, in
		fact, a woman, I was alone - and would stay alone from that day forward".
		</em>
		</p>
		<div class="footnote">
		<p>
		<sup>
		1
		</sup>
		A theory centering on the notion that information could be permanently destroyed by a black hole in
		violation of modern physics doctrine including the now-outdated
		<!-- links to quantum stuff -->
		[[quantum]]
		of quantum theory. An
		effective though controversial postulated solution dubbed the "holographic principle" resolves the paradox by
		claiming that information is in fact stored in a black hole's
		[[event-horizon]]
		in a liminal, two-dimensional,
		non-spatial zone. The theory has proven effective in resolving other paradoxes, giving rise to the "
		<!-- links to self -->
		[[error]]
		" model championed by Gerad 't Hooft, Leonard Susskind, and their ilk.
		</p>
		<p>
		<sup>
		2
		</sup>
		As opposed to Mind, as per
		[[dharma]]
		philosophy.
		</p>
		<p>
		<sup>
		3
		</sup>
		A
		[[technostalgia]]
		-related phenomenon - in a 1988 poll, coitus with Samus Aran was among the most
		frequent "climax point" fantasies for both girls and boys in the 13-17-year-old age group.
		</p>
		</div>