Dillinger-is-dead - Revision history

Nemo: /* Dillinger is DeadΩ */

2026-01-20T17:21:20Z

Dillinger is DeadΩ

← Older revision		Revision as of 17:21, 20 January 2026
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	==''Dillinger is Dead<sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>''==		==''Dillinger is Dead''<sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>==
	'''[related: Papeete, John Herbert Dillinger]'''		'''[related: Papeete, John Herbert Dillinger]'''
	----		----

Nemo: /* Dillinger is Dead */

2026-01-20T17:21:10Z

Dillinger is Dead

← Older revision		Revision as of 17:21, 20 January 2026
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	==''Dillinger is Dead''==		==''Dillinger is Dead<sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>''==
	'''[related: Papeete, John Herbert Dillinger]'''		'''[related: Papeete, John Herbert Dillinger]'''
	----		----
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	violence. Here "Dillinger" refers not to the film's protagonist but to the [[Public-enemy-era\|Public Enemy-era]] John Herbert Dillinger, infamous for his gangster bravado and flamboyant personality. The federal government used the pursuit of Dillinger to rationalize the development of the Federal Bureau of Investigations (<!-- links to self -->[[error\|F.B.I.]]) and subsequently increasingly sophisticated (and invasive) techniques of interrogation and surveillance (the legality of which were subsequently questioned in court by actor/historian [[studs-terkel\|Studs Terkel]]). Ferreri's film ends with the central character inexplicably uxoricide by shooting his wife in the head and boarding a boat to Papeete, Tahiti, a locale associated largely with artist Paul Gauguin's depiction of prepubescent nascent sexual deviance - the black sand of its beaches later becoming slang (see: Urban Dictionary) for various [[narcotics]] including heroin, morphine, and "downtown brown".		violence. Here "Dillinger" refers not to the film's protagonist but to the [[Public-enemy-era\|Public Enemy-era]] John Herbert Dillinger, infamous for his gangster bravado and flamboyant personality. The federal government used the pursuit of Dillinger to rationalize the development of the Federal Bureau of Investigations (<!-- links to self -->[[error\|F.B.I.]]) and subsequently increasingly sophisticated (and invasive) techniques of interrogation and surveillance (the legality of which were subsequently questioned in court by actor/historian [[studs-terkel\|Studs Terkel]]). Ferreri's film ends with the central character inexplicably uxoricide by shooting his wife in the head and boarding a boat to Papeete, Tahiti, a locale associated largely with artist Paul Gauguin's depiction of prepubescent nascent sexual deviance - the black sand of its beaches later becoming slang (see: Urban Dictionary) for various [[narcotics]] including heroin, morphine, and "downtown brown".

	: <small><kbd>Ωhref# [[mailer-daemon\|mailer_daemon]] :: ''[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html ''Spectral Peaks''].''</kbd></small>		: <small><kbd>Ωhref# [[mailer-daemon\|mailer_daemon]] :: ''[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Spectral Peaks].''</kbd></small>
	:		:

Nemo: /* Dillinger is DeadΩ */

2026-01-20T00:25:51Z

Dillinger is DeadΩ

← Older revision		Revision as of 00:25, 20 January 2026
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	==''Dillinger is Dead''~~<sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>~~==		==''Dillinger is Dead''==
	'''[related: Papeete, John Herbert Dillinger]'''		'''[related: Papeete, John Herbert Dillinger]'''
	----		----
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	violence. Here "Dillinger" refers not to the film's protagonist but to the [[Public-enemy-era\|Public Enemy-era]] John Herbert Dillinger, infamous for his gangster bravado and flamboyant personality. The federal government used the pursuit of Dillinger to rationalize the development of the Federal Bureau of Investigations (<!-- links to self -->[[error\|F.B.I.]]) and subsequently increasingly sophisticated (and invasive) techniques of interrogation and surveillance (the legality of which were subsequently questioned in court by actor/historian [[studs-terkel\|Studs Terkel]]). Ferreri's film ends with the central character inexplicably uxoricide by shooting his wife in the head and boarding a boat to Papeete, Tahiti, a locale associated largely with artist Paul Gauguin's depiction of prepubescent nascent sexual deviance - the black sand of its beaches later becoming slang (see: Urban Dictionary) for various [[narcotics]] including heroin, morphine, and "downtown brown".		violence. Here "Dillinger" refers not to the film's protagonist but to the [[Public-enemy-era\|Public Enemy-era]] John Herbert Dillinger, infamous for his gangster bravado and flamboyant personality. The federal government used the pursuit of Dillinger to rationalize the development of the Federal Bureau of Investigations (<!-- links to self -->[[error\|F.B.I.]]) and subsequently increasingly sophisticated (and invasive) techniques of interrogation and surveillance (the legality of which were subsequently questioned in court by actor/historian [[studs-terkel\|Studs Terkel]]). Ferreri's film ends with the central character inexplicably uxoricide by shooting his wife in the head and boarding a boat to Papeete, Tahiti, a locale associated largely with artist Paul Gauguin's depiction of prepubescent nascent sexual deviance - the black sand of its beaches later becoming slang (see: Urban Dictionary) for various [[narcotics]] including heroin, morphine, and "downtown brown".

	<small><kbd>~~Ωref~~#~~<nowiki>~~[~~</nowiki>~~[~~[spectral~~-~~peaks~~\|~~Spectral Peaks~~]]~~<nowiki>]</nowiki>~~ :: ''[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html ~~Dillinger is Dead~~].''</kbd></small>		: <small><kbd>Ωhref# [[mailer-daemon\|mailer_daemon]] :: ''[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html ''Spectral Peaks''].''</kbd></small>
			:

Clintxxx: /* Dillinger is DeadΩ */

2025-12-16T22:24:55Z

Dillinger is DeadΩ

← Older revision		Revision as of 22:24, 16 December 2025
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	A 1969 film by Marco Ferreri starring Michel Piccoli, Anita Pallenberg, and		A 1969 film by Marco Ferreri starring Michel Piccoli, Anita Pallenberg, and
	Annie Girardot remarkable for its juxtaposition of domestic banality and ultra		Annie Girardot remarkable for its juxtaposition of domestic banality and ultra
	violence. Here "Dillinger" refers not to the film's protagonist but to the ~~Great Depression~~-era John Herbert Dillinger, infamous for his gangster bravado and flamboyant personality. The federal government used the pursuit of Dillinger to rationalize the development of the Federal Bureau of Investigations (<!-- links to self -->[[error\|F.B.I.]]) and subsequently increasingly sophisticated (and invasive) techniques of interrogation and surveillance (the legality of which were subsequently questioned in court by actor/historian [[studs-terkel\|Studs Terkel]]). Ferreri's film ends with the central character inexplicably uxoricide by shooting his wife in the head and boarding a boat to Papeete, Tahiti, a locale associated largely with artist Paul Gauguin's depiction of prepubescent nascent sexual deviance - the black sand of its beaches later becoming slang (see: Urban Dictionary) for various [[narcotics]] including heroin, morphine, and "downtown brown".		violence. Here "Dillinger" refers not to the film's protagonist but to the [[Public-enemy-era\|Public Enemy-era]] John Herbert Dillinger, infamous for his gangster bravado and flamboyant personality. The federal government used the pursuit of Dillinger to rationalize the development of the Federal Bureau of Investigations (<!-- links to self -->[[error\|F.B.I.]]) and subsequently increasingly sophisticated (and invasive) techniques of interrogation and surveillance (the legality of which were subsequently questioned in court by actor/historian [[studs-terkel\|Studs Terkel]]). Ferreri's film ends with the central character inexplicably uxoricide by shooting his wife in the head and boarding a boat to Papeete, Tahiti, a locale associated largely with artist Paul Gauguin's depiction of prepubescent nascent sexual deviance - the black sand of its beaches later becoming slang (see: Urban Dictionary) for various [[narcotics]] including heroin, morphine, and "downtown brown".

	<small><kbd>Ωref#<nowiki>[</nowiki>[[spectral-peaks\|Spectral Peaks]]<nowiki>]</nowiki> :: ''[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Dillinger is Dead].''</kbd></small>		<small><kbd>Ωref#<nowiki>[</nowiki>[[spectral-peaks\|Spectral Peaks]]<nowiki>]</nowiki> :: ''[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Dillinger is Dead].''</kbd></small>

Clintxxx: /* Dillinger is DeadΩ */

2025-12-16T19:05:50Z

Dillinger is DeadΩ

← Older revision		Revision as of 19:05, 16 December 2025
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	==''Dillinger is Dead''<sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>==		==''Dillinger is Dead''<sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>==
	[related: Papeete, John Herbert Dillinger]		'''[related: Papeete, John Herbert Dillinger]'''
	----		----
	A 1969 film by Marco Ferreri starring Michel Piccoli, Anita Pallenberg, and		A 1969 film by Marco Ferreri starring Michel Piccoli, Anita Pallenberg, and

Lmsuarez: /* Dillinger is DeadΩ */

2025-02-27T03:02:51Z

Dillinger is DeadΩ

← Older revision		Revision as of 03:02, 27 February 2025
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	violence. Here "Dillinger" refers not to the film's protagonist but to the Great Depression-era John Herbert Dillinger, infamous for his gangster bravado and flamboyant personality. The federal government used the pursuit of Dillinger to rationalize the development of the Federal Bureau of Investigations (<!-- links to self -->[[error\|F.B.I.]]) and subsequently increasingly sophisticated (and invasive) techniques of interrogation and surveillance (the legality of which were subsequently questioned in court by actor/historian [[studs-terkel\|Studs Terkel]]). Ferreri's film ends with the central character inexplicably uxoricide by shooting his wife in the head and boarding a boat to Papeete, Tahiti, a locale associated largely with artist Paul Gauguin's depiction of prepubescent nascent sexual deviance - the black sand of its beaches later becoming slang (see: Urban Dictionary) for various [[narcotics]] including heroin, morphine, and "downtown brown".		violence. Here "Dillinger" refers not to the film's protagonist but to the Great Depression-era John Herbert Dillinger, infamous for his gangster bravado and flamboyant personality. The federal government used the pursuit of Dillinger to rationalize the development of the Federal Bureau of Investigations (<!-- links to self -->[[error\|F.B.I.]]) and subsequently increasingly sophisticated (and invasive) techniques of interrogation and surveillance (the legality of which were subsequently questioned in court by actor/historian [[studs-terkel\|Studs Terkel]]). Ferreri's film ends with the central character inexplicably uxoricide by shooting his wife in the head and boarding a boat to Papeete, Tahiti, a locale associated largely with artist Paul Gauguin's depiction of prepubescent nascent sexual deviance - the black sand of its beaches later becoming slang (see: Urban Dictionary) for various [[narcotics]] including heroin, morphine, and "downtown brown".

	<small><kbd>Ωref#[~~redacted~~] :: ''[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Dillinger is Dead].''</kbd></small>		<small><kbd>Ωref#<nowiki>[</nowiki>[[spectral-peaks\|Spectral Peaks]]<nowiki>]</nowiki> :: ''[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Dillinger is Dead].''</kbd></small>

Aidahosa: /* Dillinger is DeadΩ */

2025-02-27T00:28:20Z

Dillinger is DeadΩ

← Older revision		Revision as of 00:28, 27 February 2025
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	violence. Here "Dillinger" refers not to the film's protagonist but to the Great Depression-era John Herbert Dillinger, infamous for his gangster bravado and flamboyant personality. The federal government used the pursuit of Dillinger to rationalize the development of the Federal Bureau of Investigations (<!-- links to self -->[[error\|F.B.I.]]) and subsequently increasingly sophisticated (and invasive) techniques of interrogation and surveillance (the legality of which were subsequently questioned in court by actor/historian [[studs-terkel\|Studs Terkel]]). Ferreri's film ends with the central character inexplicably uxoricide by shooting his wife in the head and boarding a boat to Papeete, Tahiti, a locale associated largely with artist Paul Gauguin's depiction of prepubescent nascent sexual deviance - the black sand of its beaches later becoming slang (see: Urban Dictionary) for various [[narcotics]] including heroin, morphine, and "downtown brown".		violence. Here "Dillinger" refers not to the film's protagonist but to the Great Depression-era John Herbert Dillinger, infamous for his gangster bravado and flamboyant personality. The federal government used the pursuit of Dillinger to rationalize the development of the Federal Bureau of Investigations (<!-- links to self -->[[error\|F.B.I.]]) and subsequently increasingly sophisticated (and invasive) techniques of interrogation and surveillance (the legality of which were subsequently questioned in court by actor/historian [[studs-terkel\|Studs Terkel]]). Ferreri's film ends with the central character inexplicably uxoricide by shooting his wife in the head and boarding a boat to Papeete, Tahiti, a locale associated largely with artist Paul Gauguin's depiction of prepubescent nascent sexual deviance - the black sand of its beaches later becoming slang (see: Urban Dictionary) for various [[narcotics]] including heroin, morphine, and "downtown brown".

	<small><kbd>~~href~~#[redacted] :: ''[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Dillinger is Dead].''</kbd></small>		<small><kbd>Ωref#[redacted] :: ''[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Dillinger is Dead].''</kbd></small>

Lmsuarez: /* Dillinger is Dead Ω */

2024-12-15T01:21:28Z

Dillinger is Dead Ω

← Older revision		Revision as of 01:21, 15 December 2024
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	==''Dillinger is Dead'' <sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>==		==''Dillinger is Dead''<sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>==
	[related: Papeete, John Herbert Dillinger]		[related: Papeete, John Herbert Dillinger]
	----		----

Lmsuarez: /* Dillinger is DeadΩ */

2024-12-15T01:21:24Z

Dillinger is DeadΩ

← Older revision		Revision as of 01:21, 15 December 2024
Line 1:		Line 1:
	==''Dillinger is Dead''<sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>==		==''Dillinger is Dead'' <sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>==
	[related: Papeete, John Herbert Dillinger]		[related: Papeete, John Herbert Dillinger]
	----		----

Lmsuarez: /* 'Dillinger is DeadΩ */

2024-12-15T01:21:19Z

'Dillinger is DeadΩ

← Older revision		Revision as of 01:21, 15 December 2024
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	=='''Dillinger is Dead<sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>''==		==''Dillinger is Dead''<sup>[https://eternal-september.net/spectral-peaks/dillinger-is-dead.html Ω]</sup>==
	[related: Papeete, John Herbert Dillinger]		[related: Papeete, John Herbert Dillinger]
	----		----